The date doesn't move
The campaign calendar matters as much as the budget: gradual ramp-up, stages, final sprint. Spending too early or too late costs you empty seats.
Industry · Events & Leisure
Festivals, leisure parks, live events: I've run ticketing campaigns where everything hinges on a fixed date. On the day itself, it's too late to sell.
Live performance, leisure parks, trade shows: three markets, each with its own season. Their official figures from Eurostat, then the calendar of their Google searches.
Performing arts
206,273 companies in the EU
Activities of amusement parks and theme parks
20,233 companies in the EU
Organisation of conventions and trade shows
57,517 companies in the EU
Source: Eurostat, enterprises by NACE activity (dataset sbs_ovw_act), EU-27, NACE codes 90.01, 93.21 and 82.30, 2024 data updated on 30 September 2026. See the raw data. People per company: calculated from the number of people employed and the number of companies published by Eurostat.
Index 100 = the most searched month of each line. Searches in the United Kingdom, in English, from September 2025 to August 2026.
Most searched month: live performance in December, leisure parks in June, July and August, trade shows and conferences in September. Leisure Parks: June, July and August brings 3.6 times the searches of November.
Source: Google Ads Keyword Planner, monthly search volumes in the United Kingdom, in English, from September 2025 to August 2026, retrieved on 1 October 2026 from Théo Maupilé's Google Ads account. Searches measured: “concerts”, “festival tickets”, “theatre tickets”, “theme park”, “water park”, “amusement park”, “trade show”, “corporate events” and “conference venue”. Method: each line adds up its searches, then takes the value 100 in its highest month. Google rounds the volumes it returns: the line shows the rhythm of demand, not an exact volume.
| Month | Live Performance | Leisure Parks | Trade Shows And Conferences |
|---|---|---|---|
| September 2025 | 80 | 41 | 100 |
| October 2025 | 75 | 41 | 69 |
| November 2025 | 82 | 28 | 60 |
| December 2025 | 100 | 29 | 38 |
| January 2026 | 75 | 45 | 65 |
| February 2026 | 70 | 56 | 58 |
| March 2026 | 70 | 57 | 80 |
| April 2026 | 72 | 75 | 54 |
| May 2026 | 62 | 95 | 40 |
| June 2026 | 73 | 100 | 49 |
| July 2026 | 72 | 100 | 34 |
| August 2026 | 88 | 100 | 34 |

I'm Theo, a freelance Paid Media specialist. I've worked for an internationally renowned festival, a theme park and other players in the events world: campaigns built around a real calendar, from ticketing launch to the final sprint. I work directly with you, no middleman.
The campaign calendar matters as much as the budget: gradual ramp-up, stages, final sprint. Spending too early or too late costs you empty seats.
Local, regional, tourist: geo targeting decides your profitability. Every euro spent outside your catchment area is a euro wasted.
Ticketing often runs through an external provider: without tracking wired properly onto it, you can't optimize on real sales.
Your date, your capacity, your history: the campaign plan starts there.
Regulars, locals, tourists, curious first-timers: one message and one bid per audience.
Wiring measurement onto real sales, even with an external ticketing provider.
Ramping up toward the day itself, adjusted every week based on sales.
★★★★★
En tant que chargé du web et des réseaux sociaux pour Jazz in Marciac, j'ai particulièrement apprécié la qualité des échanges que j'ai eu avec Théo dans le cadre d'une campagne digitale faite sur mesure pour notre festival. Il a démontré un grand intérêt pour notre village et a bien compris nos enjeux.

★★★★★
Théo a été un appui fiable pour me guider à travers la réalisation, le suivi et l'analyse de campagnes Ads.

★★★★★
Théo est un professionnel sérieux et attentif au suivi des campagnes qu'ils gèrent. Il a une bonne connaissance de l'écosystème Google et des fonctionnements de la partie Ads notamment.

The maximum cost per ticket sold your event can afford.
Your ad break-even point, based on your average basket.
The average amount per booking, and the traffic your target needs.
How many tickets to sell before the event starts paying.
As soon as ticketing opens, with a budget that grows in stages: early birds validate the message, the bulk of the budget carries the decision window, the final sprint converts the undecided.
In most cases, yes: tracking redirects, the provider's pixel or a sales feedback. We check what your provider allows on the first call, it's the number-one technical point in this industry.
Both, at different phases: Meta is great for building awareness of the event and re-engaging the undecided, Google captures searches (event name, things to do, what to do this weekend). The balance depends on your visibility and your calendar.
Your business is not on the list? The working method stays the same, only the levers change.
A short form: your website, your budget, your goal. Two minutes is all it takes.
You walk me through what has already been done, your goals and your challenges. Then we look at how we can work together.
You give me access to your accounts, and I send you my onboarding document to go into the detail of your business, your market and your positioning.
We start building your strategy from everything you have shared with me.
I adapt to your team's tools: Slack, Microsoft Teams, Gmail or Google Chat for the roadmap and project follow-up. WhatsApp is kept for urgent requests.
Your date, your capacity, your fill target. You leave with a realistic campaign plan, even if we don't end up working together.
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